The Greatest T206 Back Run Ever Assembled: Ty Cobb Red Background Portrait

Completing any back run that includes Broad Leaf 460, Red Hindu, and/or Lenox is a daunting project.  Attempting to complete a Ty Cobb Red Background Portrait back run is sheer lunacy.  But that’s just what T206 collector Jamie Blundell set out to do in 2013.

The story actually starts in December of 2011.  A Cobb portrait with Drum back was auctioned off via ebay and Jamie’s bid held up.  Any time you get a Drum, the thought of a back run inevitably comes to mind, since you’ve just added one of the toughest possible backs (at least so I’ve heard, no Drum for me yet).  The idea did occur to him, but at that point the rest of the cards he would have to acquire still seemed too far out of reach.

Fast forward to Spring of 2013.  Jamie was killing some time scrolling through posts on the net54baseball.com forum.  He stumbled upon a test page where another collector had uploaded scans of 17 different Red Background Ty Cobb Portraits, all with different backs.  Upon seeing all those different Cobbs lined up together, he was fixated on the idea of putting together a Cobb run of his own.  Jamie made the following checklist of every Red Background Ty Cobb:

  1. SC 350 25
  2. SC 350 30
  3. SC 460 25
  4. SC 460 30
  5. SC 460 42
  6. SC 460 42 OP
  7. Pied 350
  8. Pied 460 25
  9. Pied 460 42
  10. Sov 350
  11. Sov 460
  12. Old Mill
  13. Polar Bear
  14. Tolstoi
  15. Cycle 350
  16. Cycle 460
  17. American beauty 350 Frame
  18. EPDG
  19. Carolina Brights
  20. Red Hindu
  21. Black Lenox
  22. Drum
  23. Broadleaf 460
  24. Blank Back
  25. T213 Type 1
  26. T213 Type 2
  27. T213 Type 3
  28. T213 Type 3 Overprint
  29. T214 Victory
  30. Cobb back

To say that list is intimidating would be a severe understatement.  However, he already had one of the toughest cards on the list, and was about to add another.  In April 2013 a Cobb portrait with Lenox back showed up on ebay, but it was in a GAI holder, and it sat there for a few days despite a low Buy It Now price.  Jamie decided to take a gamble on it and immediately sent it to SGC, who agreed with GAI’s assessment that the card was authentic and unaltered.

“That was the defining moment.. my first two Cobbs were the Drum and the Lenox… and at that point I decided to make a run at it.”

Over the course of the next 5 months, he added 14 more to the run including the very tough Cycle 460.

  • April 2013 – Polar Bear
  • May 2013 – SC 350-460 Fact 25, SC 350-460 Fact 30, SC 350-460 Fact 42 w/ Overprint, T213 Coupon Type 2
  • June 2013 – Tolstoi, Piedmont 350, SC 350/25, SC 350/30, SC 350-460 Fact 42 
  • July 2013 – Sovereign 350, Old Mill, Cycle 460, Piedmont 460 25

September 2013 was an absolutely huge month for the back run:

  • Sept 2013 – Cycle 350, Red Hindu, T213 Coupon Type 1, American Beauty 350

The Cycle 350 is a tough card in its own right, but it was overshadowed by three extremely rare combos.  The T213 Coupon Type 1 and American Beauty were acquired in separate private transactions with fellow net54 forum members.  The Red Hindu trade is my favorite story.  Here it is in Jamie’s own words:

“I was emailing with another collector who I knew had three Cobb Red Hindus.  Yes you read that right.  Only 6 known to exist, and this collector had three.  I really thought the Red Hindu was one I would never get.  But this collector was willing to perhaps trade me for several of my errors and rare backs.  The only problem: We would have to meet face to face.  No trade of this magnitude can be done remotely.  As fate would have it I had a work appointment within a one-hour drive of this collector.  So we agreed to meet to see if a trade was possible.  I flew out a day early, met with him
and traded 15 of my cards (which included a Brown Lenox back, many tough front-back combinations, blank backs, mis-cuts, and ghost images) for one very clean PSA 1 Red Hindu Cobb.  I flew home in disbelief that I’d just combined the Drum, the Lenox and the Red Hindu.  I knew the Red Hindu was on the checklist of 30, but it was off of my mental checklist.  I just assumed I would not get it, and if I did, it would be a very long time before I would see one for sale. The opportunity to own one so early in my quest was fantastic.  So, I literally flew across country for that card.
So now I am 5 months into the back run and I have reached 20 backs.  I was thrilled with my progress, but I also knew it was about to get much tougher if I wanted to continue.  In my mind I was happy to reach 20.  That was my personal goal.  Why not keep going…”

In November 2013, after taking a short pause to breathe, Jamie began to search for the ultra-rare Broad Leaf 460.  There is only one copy of this card known to exist, graded SGC 10.  Finding the card was quite a challenge.   Jamie scoured the internet looking for clues as to the card’s whereabouts.  Eventually, he found a post on a forum from 2003 that led him to the card’s owner.  He had owned it since 2005 and was understandably hesitant to part with it.  In time, he decided the card would find a good home in Jamie’s epic back run.  The two collectors settled on a price, and Jamie became the proud new owner.  This card is the pinnacle of this incredible collection.

“This was, and still is to this day the most expensive card I have ever purchased.  I couldn’t pass on the opportunity to put the Broad Leaf, Drum, Red Hindu and Lenox together in the same collection.”
  • Dec 2013 – Piedmont 460 fact 42, Sov 460, EPDG

The train kept rolling in December.  Jamie traded a Blank Back Southern Leaguer and cash for the very tough Piedmont Factory 42 Cobby.  Next up was the scarce and underrated Sovereign 460.  A friend was working on the Sovereign 460 subset but decided to split it up and send the Cobb to Jamie for his back run.

  •   Feb 2014 – Blank Back

“60 days after my last Cobb, and a blank back comes up for auction.  This is one of two known!!!  Once I confirmed the card was authentic I knew I had to acquire it.  It might be my last chance at a Blank Back.  As the auction wound down, I made a bid, but was outbid at 2:00 A.M.  I woke up to the outbid email.  Good thing because my next bid is what won the card!  Went back to bed after bidding and woke up crossing off another card I never thought it would be possible to attain.”

At this point, Jamie had 25 of the possible 30 backs on his checklist.  The last 5 were some of the toughest and most coveted cards in the hobby: Carolina Brights (the only card left on the checklist that is universally considered a T206), T214 Victory, T213 type 3, T213 type 3 with Factory 8 overprint, and the iconic Ty Cobb back.  Some time passed, and then:

  • March 2015 – Carolina Brights, bought privately from a Net54 board member
  • August 2015 – T213 Type 3 with Factory 8 Overprint
“A huge breakthrough.  I found a Type 3 Coupon.  Two weeks later, I traded it with additional cash to a collector who I knew owned the only T213 Type 3 with factory 8 overprint… A true 1 of 1.  I crossed off the Coupon type 3 Factory 8 Overprint but had to give up the T213 normal type 3 to get it.  So that left me still needing the normal Type 3 Coupon.  I figured it would be easier to find another Type 3 Coupon and needed to secure the factory 8 overprint.  So I was happy to make the deal.”

At this point, the run was only missing 3 cards: Ty Cobb back, T213 Type 3, and T214 Victory.  As you can imagine, it was getting extremely tough to find the cards Jamie needed.  11 months passed, and then he found another:

  • July 2016 – T213 Type 3 
“Two net54 board members were at a regional trade show and saw one for sale.  Knowing I might be interested they contacted me, bought it for me, and sold it to me.  The type 3 completed the T213 Coupon run of all 4 possible backs: T213 Type 1, 2, 3 and 3 with OP.”

This brought the run to a staggering 28 cards.  I have no qualms with declaring this the greatest T206 Back Run that has ever been assembled.  In terms of T206 Cobbs, many people would argue that the run is complete.  Collectors are kind of split as to whether the Ty Cobb back should be considered a T206 or not.  I personally don’t consider it a T206 so to me, the T206 portion of Jamie’s run is complete.

This is where his collection sits today.  There are still two cards on Jamie’s want-list, and they are TOUGH.  Jamie plans to loan his Cobbies to the Detroit Tigers for a year or two so that they can display them, but he’s hoping to land the T214 Victory first.  There are only two copies known, so it’s not going to be easy.  But if this project has proven one thing, it’s that anything is possible.

T206 Brown Hindu: The Case of the Missing Red Ink

beaumont-hindu

If you’ve looked at enough T206 scans, you’ve probably come across some Hindus that look a little weird.  Many, like this Beaumont above, were printed with very faint red ink.  Others appear to be missing red altogether.  This phenomenon is most pronounced on cards with red backgrounds, though it does affect other cards as well.  If you take a look at my example scans, you can see that most of these cards appear to have an orange background.  Some have more red than others, but all of them are noticeably more orange than a typical example with a different back.  bradley-hindu-and-sovereign

If you take a close look at other cards with Hindu backs, you can see that red is missing, even when red didn’t figure prominently in the card’s design.  T206 Hindu ElberfeldThese two Bradley portraits have a subtle difference; the color of the lips.

I have never heard any theory about why so many Hindus are missing red ink.  It would stand to reason that quality control was not a huge concern at American Lithographic Co. where the cards where produced.  After all, the cards were to be given away for free as advertising.  That said, the overall quality of production across the entire set is quite high in my opinion.  Most cards are well-centered with nicely aligned fronts and backs.  Colors and shading can vary a bit from one example of a card to another, but rarely to the level we are looking at here.

Here’s my theory: Hindu backs were produced early in the T206 production run.  My guess is that at the beginning, quality control was a little bit lax.  Most of the Hindus were probably printed, even though the red was not as dark as they wanted.  Once the cards were released they became a cultural sensation.  People loved them, and as a result the American Tobacco Company may have wanted to ensure that subsequent printings would be of higher quality.  It’s also possible that the printers didn’t realize that the design called for more red, because they hadn’t seen enough copies of the cards to be able to tell what they were meant to look like.

T206 Hindu Missing Red

Back Scarcity in the T206 150-350 series Part Two: Brown Hindu

1909t206hinduadvertisement3 In Part One of this series, I took a look at the checklist of the 150-350 series.   We’ve seen that not all poses were printed with the same backs.  The Piedmont, Sovereign 150 and Sweet Caporal print runs used the majority of the 159 player checklist.  The other backs that comprise the 150-350 series did not.  In the next few posts of this series, I’m going to take a closer look at the individual backs, beginning with Brown Hindu.

Brown Hindu backs were printed in 1909 at the beginning of T206 production.  102 Major Leaguers were printed with Brown Hindu backs.  This is a bit odd because the Sovereign 150 backs were printed right about the same time.  It begs the question, “If ATC had access to all 150 subjects that were used to create the Sovereign 150 print run, why did they choose not to print 48 of them with Hindu backs?”  It likely has something to do with the inclusion of 34 Southern Leaguers into the Brown Hindu print run.  We’re not likely to know the exact reason, but it seems likely that they wanted to include the Southern Leaguers and just removed some Major Leaguers from the print run to make it possible.  To make things more murky, one of the Hindu Cigarettes newspaper advertisements (the one at the top of this post) included pictures of 3 cards that were not actually printed with a Hindu back.  Along the bottom of the ad, you can see Waddell throwing, Lobert and Dooin at about 4 o’clock.T206 Blog Hindu Schulte SGC 40

You might expect that the biggest stars would be included and the more obscure players would be omitted.  That doesn’t seem to be the case.  Stars such as Ty Cobb and Hal Chase were omitted from the print run while fringe players such as Wilbur Good and Al Shaw were included.

 

This is the list of the 48 Brown Hindu “no prints” from the 150-350 series

Abbaticchio, Ed (Brown Sleeves)
Ball, Neal (New York)
Bender, Chief (Portrait)
Camnitz, Howie (Arms Folded)
Chase, Hal (Portrait – Pink)
Chase, Hal (White Cap)
Chesbro, Jack
Cicotte, Ed
Cobb, Ty (Portrait – Green)
Cobb, Ty (Bat On Shoulder)
Conroy, Wid (Fielding)
Covaleski, Harry
Crandall, Doc (Portrait No Cap)
Criger, Lou
Criss, Dode
Donlin, Mike (Seated)
Donohue, Jiggs
Dooin, Red
Doolin, Mickey
Durham, Bull
Hahn, Ed
Hemphill, Charlie
Jacklitsch, Fred
Jordan, Tim (Portrait)
Karger, Ed
Keeler, Willie (Portrait)
Keeler, Willie (With Bat)
Kleinow, Red (New York – With Bat)
Lobert, Hans
Lundgren, Carl (Chicago)
McGraw, John (Finger In Air)
Mullin, George (Throwing)
Murphy, Danny (Throwing)
Nicholls, Simon (Hands On Knees)
Niles, Harry
Oldring, Rube (Fielding)
Rucker, Nap (Portrait)
Schaefer, Germany (Detroit)
Seymour, Cy (Batting)
Shipke, Bill
Smith, Frank (F. Smith)
Stovall, George (Portrait)
Tannehill, Lee (L. Tannehill On Front)
Turner, Terry
Waddell, Rube (Throwing)
Weimer, Jake
Williams, Jimmy
Young, Cy (Bare Hand)

1909t206hinduadvertisementAs you can see, level of stardom doesn’t seem to have been taken into consideration.  Likewise, geographic location of the teams doesn’t seem to have been a factor.  14 of the 16 Major League teams were included in the omissions and the distribution appears normal.  Overall, it doesn’t seem that the omissions fit any kind of pattern.

Scarcity and Value

Hindu backs consistently sell for the highest prices of any 150-350 series back.  In a general sense, Hindu backs are more scarce than any of the other backs that comprise the 150-350 series.  This is because Hindu was only printed in the 150T206 Hindu Advertisement series, while Old Mill and El Principe de Gales were printed on the backs of cards in the 350 and 460 series, making those backs more plentiful overall.  In most cases, Hindu is the second or third toughest back to find for a given player, with Old Mill being the toughest.  For players that were printed with both Hindu and EPDG backs, scarcity will be about the same for both.

Thanks to Mark at rustywilly.com for allowing me to use the newspaper advertisements.

 

T206 Back Run 101

 

gibson-wide

Back runs are a fun way to collect tobacco cards and early caramel cards.  Because there are so many different front/back combinations in T206, it’s a set that really lends itself to a back run (or two).  Working on back runs is a good way to learn about the set in a hands-on way.  It can also add some variety if your collection mostly consists of common backs.  When your goal is to get one of each card, regardless of back, the main constraint is money.  If you had enough money, you could collect the entire set in a month (Wagner and Plank would be tough, but there is a Plank on ebay as I write this) just by buying cards from ebay.  Looking for certain front/back combos can take a lot more time that you might expect.  A common back like Sweet Caporal 150 factory 25 can take forever to show up with the player you are looking for.  This isn’t just a random example.  I am currently working on a Dode Criss back run, and that particular back is giving me fits.  Back runs teach you patience, which is a very good trait to have as a tobacco card collector.

So, if you wanted to give back runs a try, where should you start?  Great question.  More than any other collecting focus, choosing a back run is dependent on your budget.  The most difficult subjects to complete a back run with are players from the 460 series.  The reason is that the rarest and most valuable backs were printed at the end of the T206 print run in 1911.  Subjects from the 350 series who were printed with a Drum back are also very tough to complete, and very expensive.  If you can afford a Broad Leaf 460, Uzit, and Lenox back, then working on a back run of a 460 series subject could be an extremely fun project for you.

If your budget won’t allow for all of those backs, it doesn’t mean you can’t collect a back run.  Players from the 150-350 series are a good choice because they consist of common to semi-tough backs.  The Sovereign 150, EPDG, Hindu, and Old Mill backs for your run may take some searching to track down, but with some patience you can acquire them all.  A player from the 350 series who was not printed with a Drum or Broad Leaf 350 back (Gray and Groom to name a couple) could also be a good choice.

The largest back run of a 150-350 series subject will consist of 12 front/back combos (Walter Johnson portrait and Clark Griffith portrait are a couple of examples).  The smallest in term of front/back combos is Carl Lundgren Chicago.  He was only printed with Piedmont 150, Piedmont 350, and El Principe de Gales.  Lundgren may have the fewest cards to track down, but is by no means the easiest.  The Piedmont 350 is tough to find, and expensive when you do.

 

Most other 150-350 subjects have between 9 and 11 possible combos.  The reason for the disparity comes down to the Hindu, EPDG, and Old Mill backs.  Some subjects like Frank Chance red portrait were printed with all three.  Others were printed with just two of the three, or even just one.  The Criss back run I mentioned earlier consists of 9 different backs.  The reason it is 9 rather than 11 is that Criss was not printed with a Hindu or EPDG back.  If you want to start with a simple project, choose a player from the 150-350 series with only 9 possible backs.  Or, if you want to pick the easiest back run, choose the player that I will highlight in my next post.

Back Scarcity in the T206 150-350 series: Part One

T206 Rube Waddell back run

In this series of blog posts, I’m going to take an in-depth look at the different backs that make up the 150-350 series (also referred to as Print Group 1).  The truly rare backs were not printed until the 350 series (Broadleaf 350 and Drum) and 460 series (Broadleaf 460, Lenox, Red Hindu, and Uzit).  Because the 150-350 series is made up of backs which are considered relatively common, many very tough front/back combinations fly under the radar.

Cards from Print Group 1 can be found with the following backs:

Hindu
Piedmont 150
Sovereign 150
Sweet Caporal 150 factory 25
Sweet Caporal 150 factory 30
Sweet Caporal 150 factory 649
El Principe de Gales
Piedmont 350
Sovereign 350 Forest Green
Sweet Caporal 350 factory 25
Sweet Caporal 350 factory 30
Old Mill

pg1-backs-collage-2nd-layout

Many of the most iconic portrait cards in the T206 set were printed in the 150-350 series.  Finding a card with one of these backs is easy, but finding a specific front/back combo can sometimes be quite difficult.  For example, if you want a Green Background Ty Cobb portrait with the scarcest back, you need to find one with an Old Mill back.  It might seem like this should be an easy task because Old Mills seem pretty common, but it could take you a few years to locate one.

I’m going to start with a very broad overview and drill down into the individual backs to see if we can find any patterns that will help us understand the 150-350 series better.

 

By the Numbers

There are 159 cards in the 150-350 series.  Here is the checklist (thanks to the fine folks at t206resource.com).

Below is a breakdown of the backs that make up the 150-350 series (also known as Print Group 1 and abbreviated here as PG1):

T206 back Scarcity 150 350 series

 

As you can see, the vast majority of PG1 is represented with these backs:

Piedmont 150 (98%)
Sovereign 150 (94%)
Sweet Caporal 150 factory 25 (96%)
Sweet Caporal 150 factory 30 (96%)

 

The percentage is a bit less with these backs:

Piedmont 350 (91%)
Sweet Caporal 350 factory 25 (83%)
Sweet Caporal 350 factory 30 (84%)
Old Mill (81%)

 

The percentage is much lower with these backs:

Hindu (64%)
Sweet Caporal 150 factory 649 (21%)
El Principe de Gales (51%)

Sovereign 350 Forest Green (50%

 

In some cases, the reasons for differing percentages are known.  Often, certain players were traded or they retired during production of the set.  These players were removed from subsequent printings.  For the most part, this is why players are missing from Piedmont 350 and both Sweet Caporal 350 print runs.

In other cases, the reasons are not known.  Hindu backs were issued in 1909 near the start of T206 production.  They had access to the same 150 subjects that were used for the Sovereign 150 printing, but only used 102 of them.  For the the El Principe de Gales print run beginning in 1910, only 81 poses from PG1 were used.  Likewise, only 80 PG1 players were used for the Sovereign 350 print run.

Were these omissions chosen randomly?  Or is there a pattern?  Let’s find out.