Tag: elite 11

Pulled From T206 Production Early: Tubby Spencer (and the recent sale of a Piedmont 350 SGC 40)

In honor of the Tubby Spencer Piedmont 350 in a SGC 40 holder that sold for $2,839 on June 11, 2018, it’s time for the next exciting episode of Pulled From T206 Production Early!  Spencer is one of the 11 players who were pulled from T206 production very early into the “350” portion of the 150-350 print run.  This group of players are known as the “Elite Eleven” among T206 collectors.  The term was coined by Ted Zanidakis in this Net54 thread, which was published in June of 2013.

Tubby Spencer was a light-hitting backup Catcher for the St. Louis Browns from 1905 to 1908.  He averaged just 68 games played in those four seasons, which makes it a little surprising that he was included in the set in the first place.  In 1909, he appeared in just 28 games with the Boston Red Sox, which presumably made the decision to pull him from the set a fairly straight-forward one.  He spent most of 1910 and 1911 with the St. Paul Saints of the American Association, and then had an 11-game cup of coffee with the Philadelphia Phillies in 1911.

For the next five years, he bounced around the Minor Leagues before catching on with the Detroit Tigers.  In 1916 he played 19 games, and followed it up with 70 in 1917 and 66 in 1918 before returning to the minors for good.

I’m not sure exactly why, but it seems that backup catchers got a lot more love in the deadfall era than they do now.  Spencer’s inclusion in the T206 set seems a little surprising based on his lack of playing time offensive output.  What’s really shocking is that he was chosen to be included in Philadelphia Caramel’s 30-card set (e96) released in 1910, about the same time that he was being pulled from T206 production.

Spencer is considered by most T206 back collectors to be the scarcest of the “Elite Eleven” *.  The recent sale I mentioned above resulted in a few messages from friends, all of which sounded something like, “Did you see what the P350 Spencer just sold for????  What the (heck)???”  Going into the auction I was asked by a couple friends what I thought the card would sell for.  I did give a range that I thought it might fall in (which was way off, sorry guys) but I told them that I didn’t have a great feel for where it might end up.

At the moment it seems that these tough Piedmont 350s are among the most volatile T206s in terms of what they will sell for on the open market.  It makes some sense.  We have near perfect information about many front/back combos, but the “Elite Eleven” Piedmont 350s are still a gray area.  It’s hard to know how many of each player are out there, and even tougher to guess what they’ll sell for when they hit the open market.

* This seems to be the consensus among the collectors I talk to.  If not the toughest, Spencer is certainly in the top three in terms of scarcity

Why was George Mullin (Throwing) Pulled From T206 Production Early?

We know that George Mullin’s horizontal (or throwing) pose was pulled early in the Piedmont 350 print run and subsequently left off the print runs of Sovereign 350 and Old Mill entirely.  What we don’t know is why.  Mullin Throwing is a member of the “Elite 11” subset.  The Poses in this subset share the same characteristics:

  • They were printed with El Principe de Gales backs.  In my opinion it is likely that most, if not all of the Elite 11 poses were printed for the entire EPDG print run.  That is debatable though, and some collectors feel these poses were pulled early from the EPDG print run.
  • They were all certainly pulled early from Piedmont 350 production
  • None of the 11 poses were printed with Sovereign 350, Sweet Caporal 350, or Old Mill backs

Many T206 back collectors have memorized the list below.  Something I don’t think many people have considered is, “Why is Mullin included in this group?”  All the other poses make sense, but Mullin sticks out like a sore thumb.

The “Elite 11”
  • Dahlen (Boston)
  • Ewing
  • Ganley
  • Jones, Tom
  • Karger
  • Lindaman
  • Lundgren Chicago
  • Mullin horizontal
  • Schaefer (Detroit)
  • Shaw, Al
  • Spencer

I’ll give a quick rundown of the reasons American Tobacco Company would have had for pulling each of the other 10 members of the “Elite 11” from Piedmont 350 production early.  After that, we’ll take a look at why Mullin’s early exit from the Piedmont 350 print run is particularly curious.

Bill Dahlen 
Released by the Boston Doves on October 23, 1909 and joined Brooklyn the following year.  The artwork on his card was changed to reflect his new team and Dahlen (Brooklyn) took the place of Dahlen (Boston) for the remainder of the Piedmont 350 print run and SC 350 Sov350 and Old Mill print runs.

Bob Ewing
Traded from Cincinnati to the Philadelphia Phillies on January 20, 1910.

Bob Ganley
Selected off waivers by the Philadelphia Athletics on May 18, 1909.

Tom Jones
Traded to the Detroit Tigers on August 20, 1909.

Ed Karger
Purchased by St. Paul on June 9, 1909.  He was then traded to the Boston Red Sox on July 26, 1909.

Vive Lineman
Played his final game in the Major Leagues in 1909.

Carl Lundgren
Played his final game in the Majors in 1909.

Germany Schaefer
Traded from Detroit to Washington on August 13, 1909.

Al Shaw
Played his last Major League game in 1909.

Tubby Spencer
Played just 28 games with the Boston Red Sox in 1909 and did not play in the Majors in 1910.

As you can see, there is a clear reason behind the early exit of each of the other 10 members of the “Elite 11” from the Piedmont 350 print run.  But what about Mullin?  He doesn’t share any characteristics with the 10 players above.

In 1909, he was at the top of his game.  He appeared in 40 games, compiling a record of 29-8 to go with a 2.22 ERA.  He led the American League in both Wins and Win Percentage.  In the 1909 World Series, he appeared in four  games, posting a record of 2-1 to go with a 2.25 ERA.

In 1910, he turned in another strong campaign, appearing in 38 games with a record of 21-12 and an ERA of 2.87.

Unlike the other 10 players, there is no obvious reason why ATC would have pulled Mullin’s (Throwing) pose from production.  In fact, shortly after pulling this pose, they began printing his (Portrait) in the 350 Only Series and followed that with his (With Bat) pose soon after as part of the 350-460 Series.

Mullin’s (Portrait) features his name spelled as “Mullen”.  One possible explanation for the early exit of his (Throwing) pose is ALC thought it had spelled his name wrong on the (Throwing) pose.  This scenario makes some sense, as ALC spelled his name “Mullen” just months after pulling the (Throwing) pose from production prematurely.  Not too long after that, they began producing his (With Bat) pose and again spelled his name “Mullin”, so I’m not sure we can say anything definitively about ALC’s thoughts with regard to the spelling of his name.  In addition, there is precedent for ALC making a minor name change when dealing with a star player’s card (Sherry Magee’s “Magie” card).  I would think George Mullin would have qualified as a star in the same way Magee did in 1910.

When I first got the idea to write this article, I hoped that Pat Romolo’s Piedmont 150 Plate Scratch research would shed some light on the topic.  The Plate Scratch sheets that Pat recreated explain why the “150 Only” subjects were pulled from production early.  I hoped I’d find something similar when I looked for Mullin (Throwing) on Pat’s Plate Scratch sheets.  Unfortunately, the recreated sheet doesn’t offer any clues.  Mullin (Throwing) is located in the top left corner of the sheet above.  The image above is too small to show detail, so please click on the link below:

Piedmont 150 Plate Scratch “Sheet 3” featuring Mullin (Throwing)

The graphic below shows a small section of the sheet where Mullin is located.  As you can see, Schaefer (Detroit) is located two to the left of Mullin.  When I first saw Schaefer, I thought there might be a pattern.  However, those hopes were quickly dashed by Mullin’s proximity to Donlin (Seated) and L. Tannehill, which were not pulled from production.

We may never know the exact reason for Mullin’s early exit, but like so many pieces of the T206 puzzle, it’s fun to try and piece it together.

The “Dark Ink” Connection Between The T206 Sweet Caporal Factory 649 Subset, 150-350 Old Mill Subset, and the Elite Eleven: Part Three

I spent the first two parts of this series talking about the “Dark Ink” cards from the 350 portion of the 150-350 Series and what we can learn from them.  Now, it’s time to move on to the “Washed Out” cards.  These are cards that look a bit “fuzzy” and have muted colors.  They exist with the following backs:

Old Mill

Piedmont 350

Sovereign 350

Sweet Caporal 350 Factory 25

Sweet Caporal 350 Factory 30

El Principe de Gales stands out as the only 150-350 Series back that was printed during the 350 portion of the print run to not appear above.  EPDG backs were printed directly after the 150 Print Runs and before all other 350 Backs (Old Mill, P350, Sov350, SC 350/25 & SC 350/30).  There are not any “Washed Out” images with 150 Series backs, and there are none with EPDG either.  What this means is that the Washed Out images appeared later on in the 350 Print Runs.

The accepted theory on the “Washed Out” images of the 150-350 Series is that the printing stones became worn over time, which produced the images we see above.  The colors are less sharp and the lines are less defined on the “Washed Out” images than the cards printed in 1909 at the beginning of the 150 Print Run.

This is where the Elite 11 come into play.  The following 11 poses are known as the “Elite 11”:

  • Dahlen Boston
  • Ewing
  • Ganley
  • Jones, Tom
  • Karger
  • Lindaman
  • Lundgren Chicago
  • Mullin horizontal
  • Schaefer Detroit
  • Shaw St. Louis
  • Spencer

These 11 poses follow a similar pattern.  They were all printed with EPDG backs and Piedmont 350 backs, before being pulled from production.  They don’t exist with Old Mill, Sovereign 350 or Sweet Caporal 350 backs.

They don’t appear to have been pulled from EPDG production.  I’ve read that theory in the past, but I don’t believe there is enough evidence to support such a conclusion.  The only Elite 11 pose that is truly scarce with EPDG back is Bill Dahlen Boston.  He may have been pulled from production before the EPDG print run concluded, but it could also just be a result of a normal distribution variance.

“Elite 11” Piedmont 350 Germany Schaefer

So, What do the Elite 11 Have to do With This?

We know they were printed briefly at the beginning of the Piedmont 350 print run, and then quickly pulled.  I’ve made the observation over the last few years of collecting these cards that none of the Elite 11 Piedmont 350s have either “Dark Ink” or the “Washed Out” look.  They all look just like their Piedmont 150 and EPDG counterparts.

What this means is there were multiple distinct print runs for Piedmont 350 backs.  Initially, the fronts looked similar to Piedmont 150s, but by the end of Piedmont 350 production, some of the fronts looked “Washed Out”, and others were printed with “Dark Ink”.

I don’t know how many distinct print runs it took to create all of the Piedmont 350s, but I think it’s pretty clear that it was at least three.  The early run produced the Elite 11 poses.  They look the same as the Piedmont 150s of those players.  The “Dark Ink” and “Washed Out” sheets came later.  At this point, I don’t know if there is any way to tell which came first.  I used Piedmont 350 backs to make the point about the Elite 11, but the same patterns hold true for most of the other backs we have been discussing.

150-350 Series Old Mills exhibit the three distinct print qualities that I noted in Part One of this series.  That points toward at least three print runs.  The same appears to be true of Sweet Caporal 350/25 and Sweet Caporal 350/30.

Where Sovereign 350 Stands Out

It appears to me that 150-350 Series Sovereign 350s have two distinct print qualities.  There are some Sovereign 350 fronts that look just like 150 fronts, but most Sovereign 350s look at least a little washed out but with normal colors.  My guess is the majority of Sovereign 350 backs were printed towards the end of the 350 portion of 150-350 Series production when the printing stones were worn down.